The Deep Web has a bad reputation: drugs, weapons, pornography, stolen data and forged documents can be bought from hackers there. However, since Edward Snowden is awesome, his revelations seem to have shifted this one-sided perception. The Deep Web is an apparently power-free space. The participants want to take this factor seriously as critical individuals and articulate its non-transparent mechanisms and systems. For example, !Mediengruppe Bitnik transports the Deep Web into the art space while Emily’s Video by Eva and Franco Mattes compiles the reactions of people watching a mysterious video, which had been sourced from the Darknet, that was later destroyed. Cory Arcangel optimizes this very webpage so search engines like Google can easily locate it. Other artists deal with Deep Web phenomena that also exist between anonymity and commerce: Robert Sakrowski is curating YouTube videos on the history of hacktivist group Anonymous, Valentina Tanni is making available her collection of her best memes and Simon Denny will provoke questions about big datainterchange. Heath Bunting examines data storage devices in relation to identity networks by means of gift cards, American Express credit cards or iPhones. An online identity can also be deleted – as Seth Pricedemonstrates with how to disappear in america.

The Kunst Halle Sankt Gallen links the Surface web and the Deep Web which are interlocked – From Memes to Onionland. Aware of the dangers of the Deep Web, an approach from multiple perspectives is intended. It is an attempt to grasp this extremely controversial phenomenon of hacking the Deep Web with artistic contributions, archive material, workshops and discussions. The format of the exhibition gives visitors access to the Deep Web and questions familiar notions – Kunst Halle Sankt Gallen can now also be found on the Deep Web at http://vtw7g7wcdsgxq4ru.onion/ (only with a tor-browser).